Monday, October 19, 2009

What Dreams May Come, Richard Matheson (1978)

Reviewer: Elle Ewok

Rating: 4 Piergoies

Review: People who know me are familiar with my... let's call it "acute interest"... in anything related to the afterlife and the paranormal. When I go to a new city my first stop is usually its main urban cemetary. When Boyfriend and I go to the Half-Price Bookstore on the weekend he heads to the Miltary History section and you will always find me in the Metaphysical aisle. I own more books than I care to admit written by psychics, mediums (yes, they are different), near-death experiences, ghost hunters and paranormal investigators. I own books about cemetaries, volumes of ghost stories and everything written by George Anderson. If you read enough of such things you start to see certain patterns and similarities emerge among what the various mediums and psychics teach and report. I call it "Alt-Spirituality", Boyfriend calls it "Blasphemy" and "One-Way Ticket to Hell." Regardless, most of these "Alt-Spirituralists" agree that (1) our souls are here on earth to learn and to further our spiritual evolution; (2) that we choose our lives in order to further whatever purpose we have in coming here; (3) that spiritual evolution happens faster on earth because of all the hardship and strife that must be endured; and (4) that our souls are eternal. Now whether you agree with them or not, this message is certainly comforting and it seems to make sense out of alot of the seemingly senseless pain and suffering that exists in the world.

After reading one of George Anderson's books last week (he is a very famous medium) I thought back to that 1998 Robin William's movie "What Dreams May Come." It won an academy award for uh ..... something and was celebrated at the time for its groundbreaking cinematography and beautiful presentation of heaven and the afterlife. I netflixed it last week and even though it is super-dramatic and emotionally overwrought to the point of ridiculousness it was successful in making me cry 6 separate times. I was running on the treadmill and crying like an idiot. It struck me how this movie is basically a full out color demonstration of the "Alt-Spiritual" teachings I described above. As desribed aptly by Cuba Gooding Jr:



So I decided to read the book. I read it in one sitting and it only took a couple of hours to complete. This book is not particularly well-written, I would not call it literature - but the story is fantasic.

Richard Matheson claims in the introduction that although the characters are fiction everything else is "true" - (based on research regarding death and the afterlife - obviously you can take that for what it is worth although he includes a bibliography at the end). The story is about a man named Chris who dies in a car accident and discovers that his soul is indeed immortal. He endures much hardship at first as his soul is not able to leave earth's plane of existence due to the suffering of his wife. Eventually, he does find heaven though (called "Summerland") and there he learns that a person's existence in the afterlife is completely self-imposed and created by the efforts of the individual mind (your dreams). As such, while there may be no hell in the conventional sense there surely is a space of terror and dispair in the afterlife for those who have done wrong and messed up the purpose of their life. Indeed, when Chris's wife committs suicide Chris literally leaves heaven and travels through hell to find her. Chris's wife is sent to a hell of confusion, loneliness and emotional/mental torment of her own making for the 24 years that she had remaining in her natural life which her suicide deprived her of living. Basically, she has to work out the same exact issues she would have had to deal with on earth, only under much worse circumstances. The lesson being of course, that suicide it not the escape some people hope for. You can not avoid learning the lessons you must for your soul to evolve.

The story is certainly romantic although I found Chris's wife to be co-dependant and annoying so I didn't really care much for their romance. I was kind of rooting for Chris not to find his wife because, frankly, I think these codependant people need some time apart and she definitely deserves/needs to deal with the consequences of actions.

Although I really didn't care for the characters all that much the graphic and complete description of the "Alt-Spirituality" conception of the afterlife in context was wonderful. Additionally, the ending of the book was much better than that of the movie. Obviously, the movie wanted the emotionally gratifying ending, but the book's ending was much more true to the spiritual philosophy of the book.

Reading this book may cause someone to look at the purpose of life and death in a different way. You may not believe it but there is always value in listening to different perspectives. At its core this is a very hopeful story. I think anyone who has experienced a loss and death in their lives would be comforted very much by this book.

Thursday, October 8, 2009

The Enchantress of Florence, Salman Rushdie (2008)

Reviewer: Spudbabe

Rating: 2.5 Pierogies

Review: Salman Rushdie’s The Enchantress of Florence takes place in sixteenth century India and Florence, Italy. It is the tale of a young man named Uccello of Florence (later changed to Mogor dell’Amore) who has arrived to tell a story to the Mughal of India that will either bring him fortune or cost him his life. He represents himself as the ambassador of Queen Elizabeth I. The Emperor Akbar is skeptical, but is drawn into the stranger’s captivating story of Qara Koz, the enchantress of Florence, who he claims is his mother.

I have never read any Salman Rushdie before, but I always felt like I should. Instead of starting with the famous and controversial Satanic Verses, I chose the novel with sorcery and magic! I think I made a mistake. I was very encouraged when I began because I hadn’t read such beautiful prose in a long time. Rushdie can certainly write. But then I got bored and confused by the plot. He has a lot going on here. He is mingling history with fiction, magic, and romance. But it was really a long love letter to story tellers. Story tellers are the creators of our world you know. Their work is dangerous and invaluable. He gives the highest amount of reverence to this skill and so should we. I’m willing to go there with you Salman, but the story better be good.

There are three separate stories that are intertwined. I’m using the word "intertwined" here solely because it’s prettier than "mashed", "jammed", or "forced". The ideas floating around in these stories would have been great if given the proper attention. For example, the theme of art becoming reality, and life transforming into art, could have been beautiful and interesting. In fact, Rushdie pulled it off at times. I loved the conclusion of part I. The painter Dashwanth became so enchanted with his masterpiece of the fantastic beauty, Qara Köz, that he entered the painting to be with her and was never seen again. It was unique, beautifully written, and romantic. Everything I thought this book would be. But then Part II started and I became bored again.

A constant theme throughout these stories is that women have only the power of enchantment at their disposal. This wouldn’t have bothered me given the historical context—beauty and sex probably were a woman’s only real power in the 16th century. It only bothered me because it was uninteresting, and I couldn’t shake the feeling that his divorce from former model Padma Lakshmi a year earlier was a major influence. Padma is significantly younger, gorgeous, and makes a living by eating delicious food and crushing dreams on Top Chef. An enchantress? I think so.

Rushdie has said this was his most researched novel. It shows and is very impressive in certain ways. But I think he should have spent less time forcing his research into the story, and more time creating an interesting plot. Great ideas, poor execution. So now I’m torn on whether or not to read more of his work. On one hand his writing is striking and there were flashes of brilliance scattered throughout. But on the other hand, the novel was predominantly boring and also had flashes of self-indulgence. I wouldn’t recommend it to anyone, but I also wouldn’t attempt to dissuade anyone from reading it. Basically, my entire reading experience went something like this:

Wow, this is beautiful. Ok, I’m getting bored. I’m gonna stop reading now. Wait! BRILLIANCE! Alright, now we’re getting somewhere! Damn, I’m getting bored and confused again. I’m stopping for real this time. BRILLIANCE! Ok Salman! I’m back on board and ready for this ending! That was the end? Sigh.

So if you are a patient and active reader, this might be worth it to you for those few really wonderful parts. If you are a reader who prefers pure entertainment and finds sentences that go on for an entire page to be tedious, this might not be the one for you.

Friday, October 2, 2009

A Game of Thrones, George R.R. Martin (1997)

Reviewer: Elle Ewok

Rating: 3 Pierogies

Review: Now that our countdown to the 5th Installment of A Song of Ice & Fire is down to less than a year, I thought it would be nice for the Yinzer Bookclub to review the four books that have been published to date.

First up is A Game of Thrones. I feel supremely dishonest only giving this book 3 Pierogies because the truth is I could not put it down and immediately went out and bought then next book in the series. This book is ridiculously entertaining. It is a fantasy novel although in reality, the series thus far is much more oriented with political intrigue than anything else and is very Rated R. There are numerous plots lines going at once, tons of characters with great development, multiple perspectives and a very unconventional blur between good/evil. This book is also awesomely unpredictable. Unlike most authors who would feel compelled to keep characters that their readers have bonded with around, George R.R. Martin is perfectly content to cut your hero's head off out of nowhere and throw it in your lap. It is actually kind of awesome.

The plot revolves around a realm called the 7 Kingdoms. Various ruling families control the various kingdoms with absolute power consolidated with "The Iron Throne." The plotline is based on England during the War of the Roses with the Stark family representing the Yorks and the Lannister family representing the Lancasters. In A Game of Thrones, the main conflict is between the Stark and the Lannisters as both families attempt to seize control of the Iron Throne. A secondary plotline revolves around a mysterious and cold realm north of the 7 Kingdoms and separated there from by an ancient wall. The wall is necessary as barbarians and supernatural vampire/wraiths roam the northern lands...and it seems they are on the move. A third plotline follows the princess of dragons, whose father sat the Iron Throne before being deposed years earlier. She loves among pillaging horse nomads apart from the 7 Kingdoms and begins to plan her family's reconquest of the Iron Throne.

Now to explain why I am giving this book 3 Pierogies. Well, the reason is the author is clearly a pervert and needs to be punished by getting less pieorgies than he should. Considering how chubby he is I think this is a severe punishment. There are some seriously graphic sex scenes in this book - with strange gratutious detail. Now that in of itself is not so bad, although personally I really don't like graphic sex scenes in books. The problem is that the sex scenes almost all involve a 13 year old girl and to say she is being statutorily raped by an adult stranger is about the most generous spin you can put on it. Now unless you are Roman Polanski, or one of those "enlightened" & "propressive" Hollywood morons defending him, chances are reading about the forcible deflowering of a child in graphic detail is going to make you want to puke.

Another problem I had with the book was the constant rape and violence towards women. I realize rape and misogyny are part of the world (and fantasy worlds apparently), particularly in times of war, but the amount and detail was hard to stomach. While the male characters, both good and bad, generally die or get injured bravely in battle the women are systemically humiliated before dying unceremoniously. They aren't just raped, they are gang raped. And not only are they gang raped but Martin loves to give you the unnecessary, gratuitous and humiliating details. If you can believe it, things get even worse in the second book.

This hyper-sexual violence towards women combined with the constant womanizing of the main characters, the constant put downs related to the worth of women relative to men and after a while it makes you start to wonder; has Martin created a world filled with systemic female degradation because he is laying the foundation for an ultimate commentary on oppression, violence and human dignity? Or has he created a world filled with female degradation because that is what he likes writing about? I haven't finished the series yet but I have a suspicion it is the latter which is where the icky feeling I have towards this book comes from. Hopefully, it turns out I am wrong although subsequent books have done little to relax my suspicions.

Even though this book left a bad taste in my mouth in some respects, it is otherwise totally engaging and entertaining. Indeed, HBO is supposedly turning these books into a series. Hopefully, child pornography laws will prevent them from interpreting this book too literally.

UPDATE: Rumors are circulating that Sean Bean (Boromir from LOTR) has been cast as Ned Stark. I'm very pleased with this casting decision as is, presumably, every other woman on the planet.
"I would have followed you, my brother....My captain.... My King" LAME!! I forgive you Sean Bean.

Wednesday, September 16, 2009

The Lovely Bones Movie (2010)

Posted By: Elle Ewok

The Lovely Bones movie based on Alice Sebold's 2002 best selling novel of the same name is set to be released on January 15, 2010. It stars Marky Mark (who replaced Ryan Gosling) sans the Funky Bunch playing something other than a cop for a change [see: We Own the Night, The Departed, Max Payne, The Other Guys (2010)] and a bunch of other actors I don't care about. Maybe if these other actors would rap in their underpants once in awhile people would notice when they are in movies.

This movie elicits alot of mixed and complicated emotions personally. I have very very bad feelings towards the novel. I absolutely loved the first 75% of the book which I thought was unique and painfully sweet. Although the book is based on the rape and murder of a 14 year old girl it is not emotionally manipulative at all which is amazing. HOWEVER, the ending was SO BAD in comparison to the rest of the novel that was a huge disappointment. I was actually offended by the end which is amazing considering I am xenophobic yinzer who finds ultra-politically correct attempts to find offense in everything to be insufferable. I would tell you exactly what I find offensive about the end but Trixie Beldon is a ridiculously hyper-sensitive lunatic regarding spoilers. The "spoiler" could be completely irrevelant to the plotline and Trixie could have no intention of ever reading the book, but if I divulge ANYTHING she acts like I purposely ran over her cats and I can't handle that emotional guilt-trip right now.

Anyway, although I hate this book so so much, I feel I must see this movie because it is directed by Peter Jackson. For giving me the Lord of the Rings Trilogy, the best movies of all time, I feel morally obliged to patronize all Peter Jackson movies in demonstration of my eternal gratitude. Plus, I would love to see Peter Jackson's conception of heaven. So, yes, I will be seeing this movie. Hopefully, the stupid ending will be revised, reworked, rewritten or re-something because it is just so bad.

I can't post to the trailer, but you can watch it here:

Friday, August 28, 2009

As I Lay Dying, William Faulkner (1930)

Reviewer: Elle Ewok

Rating: 4 Pierogies

Review: I recently realized that I have a huge gaping hole in my formal and informal literary education. I have virutally no exposure to American writers from the South, particulary those associated with the Southern Gothic literary style including William Faulkner, Flannery O'Connor, Thomas Wolfe, Tennessee Williams etc.

On a recent trip to New Orleans I endeavored to remedy this deficiency and I stopped by Faulkner House Books and asked the woman who worked there (who is an expert in all things Faulkner) which of his books I should read first. She handed my a copy of As I Lay Dying with a big smile. This choice was not a suprising one, As I Lay Dying is considered Faulkner's most accessible novel and is the usually recommended as the best starting point for new readers to Faulker's body of work.

I confess to being extremely frustrated with the beginning several chapters of As I Lay Dying. The rural dialect was difficult to understand. Additionally, the stream of conscious narrative was confusing. Each chapter is narrated from the point of view of a different character. The character narrarating the chapter would refer to "him" "her" or "it" and you had no idea who or what was being referenced since stream of conscious writing necessarily eliminates exposition. My frustration lifted after several chapters though and I began to enjoy the book immensely. The rural dialect seemed more accessible and the people and objects who were unidentified in previous chapters eventually become known in later chapters.

This is not a book where you can put your brain on autopilot and enjoy the ride - it requires what I call "active reading" - Faulkner forces you to put the pieces together and you have to pay attention to understand the narrative. However, when you eventually figure that issue or event that was confused and unclear eariler in the novel it is extremely satisfying - like finishing a sukodu puzzle or eating nachos.

There has been much discussion and scholarship about the themes of As I Lay Dying: subjective truth vs. objective truth, social definitions of normalcy, personal isolation, limitations and pride associated with poverty, and the ugly nature of physical processes. However, it is not the novel's themes or social commentary that have stayed with me since I finished this book. Stripped away of all themes, symbols and motifs, this book at its core, in my opinion, is a very dark comedy - and I like dark comedies.

The basic plot line revolves around a family of ignorant rural hillbillies who are taking the decomposing corpse of the family matriarch to a town 30 miles away for burial. What makes it really dark is that it takes them several days to get started so that the body is badly decomposing and reeking throughout the ardous journey under the hot Mississippi sun. Their wagon is followed by buzzards and they bring disgust and inconvenience upon every person or town unfortunate enough to cross their path. None of the characters are particularly sympathetic either, for although they claim to be transporting the body out of respect for the dead woman's wishes in reality they all have their own selfish motivations for the trip whether it be to obtain false teeth or an abortion. That said, there are several characters that I did find myself warming up to and kept me emotional invested in the story; Darl and Cash in particular.

In the end it was the clever writing (one which offered reward after challenging readers) and the deliciously evil and darkly comical plot line that won me over. I look forward to reading more of Faulkner's work.

The Hunger Games, Suzanne Collins (2008)

Reviewer: Trixie Belden

Rating: 5 Pierogies

The Hunger Games is one of those books that when you finish, you feel sad because the story is over and you will never be able to read it for the first time again. I read this book in two days and I am now disappointed in myself for not having slowed down to savor it. Let this be a warning for future readers of The Hunger Games – do not allow yourself to speed-read through this book or you will regret it later!

I am happy to report that The Hunger Games is set in a post-apocalyptic America and the main character – Katniss – is from an area that was once known as Appalachia. The main industry in her poor region is coal mining. Based on these clues, I decided that Katniss was probably from Pittsburgh – no wonder she was a smart, strong, and compassionate girl! Suzanne Collins’s nod to Pittsburgh (at least in my imagination) definitely set me up to love the book.

In the Hunger Games, 24 children are taken by the government every year and forced to participate in a reality television show where they fight to the death, leaving one child alive and victorious. After the government randomly selects Katniss’s little sister to participate, Katniss makes the ultimate sacrifice and volunteers to take her place in the game.

While playing, underdog Katniss must “outplay, outsmart, and outlast” her competitors. I loved the premise of this novel and learning about how Katniss played the game – her strategies, friendships, alliances, etc. Suzanne Collins succeeded in being descriptive, but not too descriptive in a way that would have interrupted the fast pace of this novel.

I found The Hunger Games to be extremely engaging and addictive. I highly recommend it as an entertaining and thought-provoking read. I also note that while this book is categorized as young adult, I found that it easily crosses over to an adult audience. Its sequel, Catching Fire, comes out September 1, and I plan to be at Barnes and Nobel first thing in the morning on September 1 to pick it up.